John Dilbeck Musings

I want to thank my friend, Jerry Chautin, for alerting me to an article in the New York Times, A Basket Case in North Carolina, written by David Rakoff, and published on May 20, 2007.

In this article, the author talks about taking a week-long class at the John C Campbell Folk School, in Brasstown, NC.

Originally, like most men, he wanted to experience the thrill of blacksmithing, of smiting hot steel and shaping it into new forms with fire, hammer, and anvil, but (for reasons he details in the article) he changed to taking a basket weaving class.

As a true lover of the Folk School and all that goes on there, I felt the resonance of reading what I know to be true about the Folk School experience, not just what happens when taking a class and learning a new skill, or improving your ability to create pieces of art in your chosen craft.

Mr. Rakoff talks about the unexpected moments of silence and “getting into the zone” that artists strive for while transforming the vision in our minds into the item in our hands.

This is one of the best articles I’ve read about the Folk School, and I recommend it to you. I don’t know how long the New York Times keeps these articles archived, so maybe you should read A Basket Case in North Carolina, now.

(For more information about the John C. Campbell Folk School, its classes, crafts, and events, call 828-837-2775 or 1-800-FOLK-SCH (800-365-5724) or visit www.folkschool.org.)

(From the Folk School Website:)

The new Blacksmith studio fundraising campaign has begun!

Timber framers from all over will gather at the Folk School for an old fashioned barn raising!

The John C. Campbell Folk School is proud to announce plans for an annex to the historic Blacksmith Shop, originally dedicated to Francis Whittaker in recognition of his two decades of teaching and demonstrating at the school.

Whittaker, known as the “Dean of American Blacksmiths,” devoted his life to keeping the art of blacksmithing alive in this country and the existing studio stands as his symbolic legacy. But, while Blacksmithing has long been the most popular of some 50 programs the Folk School offers, the shop has suffered decades of wear and its space is no longer adequate for the size and diversity of classes such a premier program should offer.

The solution is to renovate the Whittaker Studio and to build an annex with the help of the Timber Framers Guild, which has offered to assemble close to 80 timber framers to do a traditional barn-raising in June 2008.

Fundraising for the project kicked off with a $1000 gift from longtime instructor Lou Mueller. Clay Spencer, nationally known blacksmith and fixture at the school also donated $1000. Not to be outdone, Don Neuenschwander, a long time student and friend of the Folk School from Indiana, donated $5000. Julie Clark, Folk School blacksmith instructor, donated $10,000!

While the full architectural plans have not been finalized, the project cost is estimated at an ambitious $500,000. With the strength and spirit of the Blacksmithing community, we are confident the goal can be met. Ours is a community that is resourceful, creative and, like the Folk School, dedicated to the spread of knowledge and education about blacksmithing.

Please contact Susi Hall, Development Manager, at susi@folkschool.org or at 828-837-2775 ext. 118 to contribute or to discuss making a gift and Paul Garrett, Resident Artist for Blacksmithing, at pdg86@hotmail.com or 828-835-8441 with ideas to assist with the project.

Learn more about the new Blacksmithing annex on the Folk School’s website.